Comment... | 30.11.11

Honestly – Advertising isn’t that bad

On the 25th October, George Monbiot wrote an astoundingly vitriolic attack against the advertising industry, an industry that Eulogy! is proud to be well acquainted with. Our expertise within the marketing services sector brings us into contact with many agencies and brands who tirelessly work for their clients and companies as well as a plethora of charitable and worthwhile causes, which I’m pretty sure don’t burden us with debt, restrict our freedoms or do any number of things that Mr Monbiot’s article claim.

Of the clients I regularly work with, I see inspirational work that highlights plights and causes the world over. Just a snapshot of these include work with inner-city schoolchildren, leukaemia and cancer sufferers and budding athletes eager for their shot at glory. Advertising plays a huge part in communicating the message that these often ignored areas of society attempt to broadcast, and in doing so bring in attention, funding and advocates.

Just a look down the street in the past few weeks will have shown the sea of poppies that flooded our streets in support of those who give their lives for the UK, a campaign that receives huge support from the advertising industry in terms of creative production as well as advertising placement. Case in point: a slot during X-Factor worth £3m was given to them free of charge for this year’s appeal. A media infrastructure that allows companies to spread such important social messages should not be so readily dismissed.

Yes, Mr Monbiot may dislike many of the products, services and messages (he’d probably just seen another ‘Go Compare’ advert) that are communicated through billboards and TV ad breaks, but there are constantly ideas and reports covered by the mainstream newspapers that could be deemed equally influential, misleading and morally questionable, and so I feel his footing in the argument is far from sound. In the end, surely there are more important things to discuss and critique than the too often used scapegoat-for-society’s-ills that is advertising?
 

Dave Cohen

admin

3 comments | 08.02.11

Social media ownership: when will agencies learn to share?

A recurring debate was stirred up once again in the marketing world this week with a feature in PR Week on ‘Who Owns Social Media’and unsurprisingly many of the familiar players from across the three disciplines (PR, Advertising and Digital) weighed in with their views.

Features Editor Cathy Bussey’s well balanced piece attempts to bring to the surface tensions which have been bubbling away for the last few years between the creative communications sectors that have up until now had fairly clearly laid out stalls which defined their existence. The debate in PR Week puts the three would-be contenders into a boxing ring to see which one emerges the victor.

Whoever it is that surfaces from the final round still standing and with their bloody nose intact will undoubtedly believe that they rightfully deserve to wear the social media crown. The truth of the matter is that they will be wrong: there are no crowns to wear -only matching sets of badges to be worn by all.

Firstly, the idea of any agency owning a channel is laughable and dare I say a little bit arrogant. An agency’s role is not to ‘own’ but to support through expertise and consultancy. Chris Lake, Director of Innovation at Econsultancy echoes this very sentiment in a post he recently wrote on the Econsultancy blog:

“I firmly believe that a company’s social media strategy should be owned and managed by the company itself, rather than by external agencies.”

Those that submit to the notion that social media can readily be claimed in its totality as belonging to the domain of PR, advertising or the newly emerging digital sector clearly do not understand the scope, complexity or potential of social media channels.

Take the telephone, for example. It would be extremely bizarre to restrict its usage to just members the PR team, or have a ‘phone call strategy’ defined by an external marketing agency. It would be equally unlikely that a brand’s digital marketing agency would have the right to decide how the wider company uses email as a communications tool? Social media: Twitter, Facebook, YouTube, Flickr… they’re all just tools (with varying degrees of sophistication) that serve to meet multiple needs.

Only when marketers start viewing social media platforms in this way, as facilitators which address multiple needs across numerous departments (comms, marketing, branding, customer services, corporate reputation, stakeholder management, research and development) will the ownership debate be replaced by a discussion that focuses around an integrated approach to social media.

At Onlinefire, whilst we’re often seen as a ‘social media agency’, we actually prefer to work collaboratively with clients and their agencies to allocate defined roles for social media activation. In truth, we’re much more than a social media agency; we’re a creative online communications agency with PR at our heart. Social media is our channel of choice but much of what we do for our clients draws upon multiple marketing touch-points from experiential to events to traditional news generation – regularly drawing upon the skills of the wider Eulogy! Group. It’s no accident that this blog has also ended up being posted on the Eulogy! siteIt’s all about integration, don’t you know!?

  • We don’t create flash iPad apps, but we work with digital agencies that do.
  • We don’t do search engine pay-per-click campaigns, but we work with many great companies that can do these (and do them really well).
  • Onlinefire isn’t a specialist in organising promoted tweets but we can get your brand trending on Twitter whilst a quality media buying specialist sorts out your specific Twitter ads.

I’m not suggesting that there isn’t a clear role for PR in social media. In fact, us PRs have traditionally been the gatekeepers of the brand conversation and as such are in a good place to see the potential opportunities that social media offers us. Admittedly the conversation has always been with identifiable mid-point influencers (media, stakeholders, analysts, etc.) but new online tools have allowed us to take this dialogue direct to consumers. Never before have communicators ever been able to have this level of proximity to our end users and this is a gift that the PR industry should embrace rather than shy away from.

Advertisers on the other hand have always been on the receiving end of huge budgets and as such have been able to create truly great pieces of branded content which inspire talkability. However even small advertising budgets on social media platforms can reap great rewards. Executed correctly, Facebook’s social ads can deliver amazing results for the right campaign due to its pinpoint targeting capabilities. This is probably still very much the domain of the media buying agency but the ease of which brands can manage these social ads makes it more difficult for some unscrupulous agencies to play the smoke and mirrors game with their clients. And Amen to that!

Agencies which have previously taken great pride in dining at the top-table with their clients have been forced to reassess their offering in light of direct to consumer alternatives that social media has provided the industry.

Self-defined digital agencies are currently the best equipped to advise and build social apps and widgets which add an extra layer of usability to social networks. This technical knowledge is something that most PR / social media agencies currently do not offer nor would they probably every want to.

So the content versus conversation divide still exists to some extent but for how long?

Huff and Puff…

Three Little Pigs
Three Little Pigs

Remember the story of the three pigs? They all set about making separate houses for themselves. Imagine that instead of each having sticks, straw and bricks respectively, one had just cement, another had a spade to dig the foundations with and the third pig had just bricks.

Individually, neither would be able to build anything resembling a solid structure but collectively, they each bring a different and vital quality needed in the construction of a robust home. Replace ‘pigs’ with marketing agencies (perhaps this doesn’t require too much of a stretch of the imagination) and substitute the act of building a house with the objective of contributing to a successful social media campaign – and that’s where we find ourselves today; everyone working in collaboration to build something that ultimately benefits all parties to serve a larger purpose.

360-degree Implementation

A few years ago when Eurostar were being held up as an example of a brand being overly myopic in its approach to social media comms, few agencies acknowledged the lessons that clearly needed to be learnt from the fall-out. Having appointed a social media specialist agency to carry out a (pretty well-executed) sales campaign on Twitter, Eurostar hadn’t factored in the other internal departments that may need to use the platform in the future. So, when poor weather conditions meant that many passengers were left stranded at Christmas without any information advising them on their options, many turned to Twitter only to be met with a wall of deafening silence.

I remember being invited on to Channel 4 news to comment on how the brand misread its customer’s social media requirements. At the time, I seem to remember a lot of focus being placed on the channel and none on the message itself. Sure, there were some cultural learnings for Eurostar to be gained but any criticism of their trial Twitter campaign merely deflected attention from the real problem which was Eurostar’s inability to communicate with its customers in a time of need.

In this situation, it was clear that the in-house team were not equipped to deal with social media as a 360-degree comms channel and that a specialist social media agency were reluctantly handed ‘ownership’ of Twitter in its entirety wheras in reality they were only allowed responsibility for a small campaign area. The danger of ownership being taken outside of the in-house team becomes apparent when the platform overlaps with other departments’ remits as happened in the case of Eurostar.

Therefore, media ownership (social or traditional) should always remain with the brand gate-keeper (i.e. the in-house marketing team) and not on the agency side. Only by having centralised ownership, can social media be divided accordingly between various internal business groups with weighting distributed in an appropriate fashion that reflects needs and not historical budgets.

Aim for the stars…

The situation reminds me somewhat of the Space and Moon Races which took place between the USA and the then Soviet Union in the mid to late twentieth century where two politically opposed forces fought a very global battle to attain technological and ideological superiority within space exploration. A key marker within this political era was fixed on which would be the first nation to set foot on the moon. After billions of dollars, numerous fatalities and a plethora of disasters on both sides the USA emerged as being the first nation to have representatives step foot on the moon.

The flag was placed, the video images beamed back to the world below and now, over fifty years on, as the Star Spangled Banner continues to fly in solitude on a windless moon are we able to say that the USA managed to claim ‘ownership’ of the moon? The answer is almost certainly no.

One small step for social media
One small step for social media

Melanie Seasons

Comment... | 23.12.10

The Paradox of TV

For my eyes, television is facing a paradoxical 2011.

On the one hand, the way the punter consumes TV is transforming. Services like BBC’s iPlayer and 4OD mean TV is no longer constrained by schedule. You can effectively watch what you want, when you want – skip the adverts, no problem. If you followed this trend, it’d put pay to the end of TV scheduling as we know it. The Apprentice is on at 9.00 on a Wednesday – who cares? I’ll watch it tucking in to a bacon butty in bed on a Saturday morning, thanks.

On the other hand, 2010 has seen the rise of social media, and twitter in particular, as the perfect accompaniment to your Saturday night television. Programmes like Question Time, X Factor and even Prime Minister’s Questions, have been transformed by having a real-time commentary alongside them. As the Guardian says, its like ‘being in a crowded room full of witty, opinionated friends’ – a virtual Red Lion for the social media masses, if you will.

So what do you do? Forego the witticisms of @Popjustice during the X Factor live shows, choosing to catch up later in the week, all the while wondering if you were the only one to hear what sounded like Cheryl Cole farting on telly? Or do you continue to be constrained by the scheduling big wigs, but allow yourself the musings of @Torybear and @KerryMP during #bbcqt?

I know for one that I’ve been left frustrated at having to watch things behind everyone else – catching up’s become like sitting in solitary confinement, cut off from society (GIVE ME MY IPHONE NOW, I NEED TO TWEET ABOUT CHER LLOYD).

Either way, the continued evolution of TV is getting advertisers thinking. Brands use bigger, bolder lettering in their ads these days so it still catches the attention of those skipping through them on fast forward; this week’s also seen the approval of product placement in shows, too. At the same time though, scheduled TV still pays – X Factor was reported to have collected £25m from adverts during the live final earlier this month.

Following 2010’s year of the TV hashtag, it’ll be interesting to see how TV evolves in 2011. No doubt twitter will be following any development with great interest, regardless.

What do you think?

Andrew Boyers

Comment... | 18.08.10

The homogenisation of personalisation

I read with interest an article in this month’s Wired magazine about new social-sharing start-up Hunch.

Set up by Flickr co-founder Caterina Fake, Hunch’s self-professed aim is to ‘personalise the internet’ by learning what you like and dislike, how you think, and how people similar to you rate products.

Brands, agencies and start-ups are forever trying to find unique ways in which to personalise the internet to customer desires by specifically tailoring to our needs and uses – and on paper, it seems pretty desirable. But it got me thinking – doesn’t this process of internet personalisation homogenise our personalities?

My fear is that through constant tailoring to what my routine consists of and learning about my likes and dislikes, it begins to confine me to an increasingly specific stereotype. This is perfect for brands – obviously it makes their job a hell of a lot easier if they can have huge stereotypical groups with which to target their products.

But what about me? If I’m forever shown things brands think I like on the internet, then doesn’t that just perpetuate the idea that I’ll continue to like those things? What if I want to go off-piste every now and again? Will the future internet ‘let’ me? I may well love Italian and Mexican restaurants, but what if I fancy a Thai every once in a while? I’m curious as to how Internet advertising will learn.

I think we all understand that if we want a campaign, programme or brand to be successful online, the importance of seamlessly integrating with our online routines is crucial. Clearly, the personalisation of the Internet to our needs and thoughts contributes to this. Yet, I just can’t help thinking that it’s worth being slightly guarded about having our personality traits, likes and dislikes, constantly catalogued online.

Our personal preferences are supposed to make us feel unique.  If a brand chooses them for me because that’s what they think I’ll like, does it take away some of the fun of discovery?

Andrew Boyers

Comment... | 11.06.10

In case you haven’t seen it yet: Nike’s World Cup Ad

With the World Cup kicking off today, I thought I would share again the absolutely brilliant Nike 2010 ad. If you thought that the Nike World Cup advert of 1998, showing the Brazil squad playing an elaborate game of ‘pass and move’ in Rio airport, was pretty darned impressive, then you’re in for a real treat.

Nike has just launched its 2010 World Cup ad, featuring the likes of Wayne Rooney, Cristiano Ronaldo, Didier Drogba, Kobe Bryant and Homer Simpson (yes, really). It’s slick, it’s blackly funny and representative of the excellent football ads we’ve come to expect from the likes of Nike. However, it’s the little intricacies that truly point to this being a great ad. Wayne Rooney in a trailer park and an egotistical statue of Ronaldo are strokes of genius – someone over at ad agency Wieden & Kennedy has truly got their head screwed on.

Apologies for the bleeding into the sidebar – widescreen YouTube is the bane of this blogger’s existance!

If we were to really nitpick, the only flaw with it is Ronaldinho’s appearance, despite him not being included in Brazil’s World Cup squad, points more to the pitfalls relying on ageing sports stars for an ad campaign than a failing of the ad itself.

But honestly, who cares? It’s an amazing ad – no doubt it’ll probably be the best thing we see all summer after England crash out in the group stages.

Andrew Boyers

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